Steve J. Moore

If You Don’t Stand for Something, You’ll Fall for Anything

In Music on September 8, 2008 at 5:05 pm

Vibrating on a frequency somewhere between The Police and Maroon 5, The Script writes themselves into my list of great new discoveries of 2008. I won’t get into the grammar of referring to bands as wholes or parts, because they come from Ireland and it would just get too confusing. (European English usually referrs to bands as singular entities, whereas American writers typically denote bands plurality by their name, ie-The Beatles is plural, versus The Fray is singular). I learned that from Grammar Girl!


I struggle to do more than compare The Script to other bands and ask anyone listening to interpret my description for themselves. They are implottable in our world of strict genre guidelines. Their website points out that they have “anthemic” lyrics, “R n B production” and “pop melodiousness.”  What I will say is that their album is wonderful. Wikipedia classifies them as “soft rock”…which is an outright insult. Soft rock is something that no one really listens to, it just gets played by people at boring desk jobs because it’s moderately uptempo music that was once probably decent, but is now just considered “politically correct.” The Script isn’t exactly PC.

The Script is a Mac for sure. Their sound is clean and full of a hip hop-anonymous poetry that doesn’t quite shock you when it drops the F bomb. They don’t curse to be crude, cool, or hard, they do so because their narrative songs are gritty and express a reality that calls for cursing. There’s humor and edginess there too; one of their songs is called “If You See Kay.”  

Did you get it?

I kept listeing to the chorus If you see kay… and it finally hit me as to why it sounded strange. I laughed out loud (IF YOU SEE KAY). Har har. They pull off what would otherwise be just a cleverly done crude joke because the song ends up being a very sweet little love song.

Tracks like “Breakeven” remind me of my favorites from Third Eye Blind in the way that the words can so beautifully lament a troubled heart in a major key. 

I’m still alive but I’m barely breathing
Just prayin’ to a god that I don’t believe in
‘Cause I got time while she got freedom
‘Cause when a heart breaks no it don’t break even

They say bad things happen for a reason
But no wise words gonna stop the bleeding
Cause she’s moved on while I’m still grieving
Cause when a heart breaks no it don’t break even

I’ll post a “video” of the song here from YouTube.

I’ll say again–as I probably do in every music post–that probably the most pleasing feeling for me when I finish listening to an album is that of finding a cohesion between the songs that brings the album together as a whole rather than ten or twelve separate radio tracks (bleh!). 

Quotes like “Sometimes tears say all there is to say/ and sometimes your first scars won’t ever fade away”  and “If you don’t stand for something, you’ll fall for anything” may just sound like pop-rock soundbytes out of context, but they are merely players in a larger play going on. The Script has colorful palate, rich in musical and emotional tones painted in broad strokes by their soaring lyric performances and simple musicality. I’ve got to put another track on here that I just love, The Man Who Can’t Be Moved:

I think that sums up my review just fine.

  1. Steve…the tag…what? I mean, it’s true and all that: I do have red hair. But I wasn’t ready to tell the world yet, Steve. You’ve loosed my secret too soon. I don’t know if I can recover.

  2. Ha ha, you just watch your back Burrell. You may find yourself tagged when you least expect it…

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