Steve J. Moore

Posts Tagged ‘Leona Lewis’

I don’t care what they say…

In Uncategorized on August 5, 2008 at 7:17 pm

Writing on music was not something that I had ever intended to do often however, given my current state of affairs I’ve found myself listening (and catching up) on music more than other things because I can multi-task while listening to an album a lot easier than I can with a book, beverage, film, or game.  So, very pleasantly I find myself in the position of listening to more and more music of late.

In the past four years or so, I’ve broken down just about every wall of musical prejudice in my heart. Now, I like to think there is almost no genre or style of music that I wouldn’t give a chance. Everything done out of honest expression has some sort of value that can be derived or enjoyed. That being said, no I’m not reviewing anything really strange and obtuse like a John Cage album with tracks of complete silence. Nor am I going to try and posit the presence of some transcendental value in Hannah Montana’s latest musical foray. It’s just something I happen to profoundly enjoy.

The British winner of The X Factor (I promise my blogs on music won’t solely reference contest winning singers) has more than a heaping spoonful of vocal talents to backup her debut release Spirit. Here on the other side of the pond, most of us did not hear about her until months later when her single Bleeding Love hit the charts and decimated whatever it is that makes songs top charts…I’m no expert on such events but I know that they are certainly no indicator of how “good” a song is.

That’s what ears are for and boy, does she make me wish I had more ears. Lewis’s voice is hauntingly powerful in scope and yet serenely delicate in its style. Bleeding Love was produced by someone associated with One Republic‘s lead singer, which is maybe one reason why that song is just incredible. The abrasive pulse thumps and claps as her voice just shines through with shrill highs that are actually pretty rather than feline and annoying like Mariah Carey some people we have heard.

Somehow this album makes me feel vindicated as a child of the 80s and early 90s. The subtle clave and synth snare just make me want to start working out in hot pants or something.

I don’t care what they say/ I’m in love with you/They try to pull me away/ but they don’t know the truth/ my hearts crippled by the vein it keeps closin’/ You cut me open and I keep bleedin’ love.

Lewis feels to me like everything I wanted in a successor to Whitney “crack is whack” Houston. Sheer power and beauty in sound with great production value on top of it all.

I’m in love with this album a little bit and I’ll keep bloggin’ love.

PS- Since my wife teaches dance, it’s a given I have no choice to that we watch So You Think You Can Dance together. This piece is choreographed by Napoleon and Tabbitha D’umo who also host Rock the Reception where they teach couples who can’t dance how to throw it down on their big day. Mostly they are the people in the industry responsible for making hip-hop dance more than humping and well, more humping. This is what made me get this album:

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